25.
The Built Environment and the Imaginary;
Women's Space in Early Modern Spain and Italy

Organizers:

Description:
This theme of this workshop relates directly to the plenary topic, the Built Environment. The organizers will present examples from history, art and literature that reveal the range of spaces inhabited by Early Modern Women. Crossing the national boundaries of Spain and Italy, but also of race, age and social class, we will show that women maintained a dynamic association with their environment, as they created real and imaginary spaces, or devised alternative spaces that contested the terms of their confinement. We situate women within history, but explore a multiplicity of contexts and experiences with attention to structures and subjectivities. Our intention is to provoke a lively, constructive discussion on broad issues that underlie (or challenge) the case studies that are presented.

The interdisciplinary focus is a major thrust of this workshop. The six organizers come from three different fields within Early Modern Studies: history, art/architectural history and literature. All, however, challenge disciplinary boundaries in their own work, and acknowledge the value of cross-disciplinary approaches for feminist scholarship. Our workshop is also unusual in presenting an exchange of ideas on Italy and Spain—two countries that are normally, and regretably, considered in isolation, although they shared political, religious and cultural conditions. We seek to redress that imbalance by examining correspondences in woman’s relationship to sacred and secular space. We define the Early Modern period broadly--chronologically but also culturally—and consider material culture as well as artistic production.

Section I: In Spain, the spatial organization of religious communities is revealed in convent design, showing both the limitations and possibilities of physical enclosure. How and where were women confined, and to what purposes? What were their responses--creative, internalized, or disobedient? In the radically different case of the moriscas, it will be suggested that women accommodated changes imposed on their built environment and transformed their homes into what might be called "spaces of resistance."

Section II: The analysis of Early Modern Women in Italy considers the architecture and art of enclosed communities. The Council of Trent’s decree on clausura dictated the terms of communal living, and Post-Tridentine ecclesiastics, like Carlo Borromeo, formulated rules on art and architecture. How did design and figurative decoration relate to communal practices? We present two alternative spaces--a convent for upper-class religious in southern Italy, and a conservatory for dispossessed women in Rome—both of which retain important aspects of their interior design.

Section III: Center and Margins: Women and the Spatial Imaginary in Early Modern Spain--The spatial imaginary to which marginalized women are relegated in early modern Spanish literature and history encompasses the limits and violations of living areas, but also the shifting geographical spaces across which moriscos and gypsies were persecuted. Literary descriptions include Calderon's play, Amar despues de la muerte, which describes the dispersal of the moriscos across Spain. Similarly, gypsies are displaced by laws of expulsion to designated towns. Cervantes's exemplary novel La gitanilla depicts gypsy women as transgressors of the law as they negotiate relations between the dominant culture and their own.


Format

The session will be introduced by three speakers, each representing one of the Sections listed above, in five-minute presentations of their topics, reviewing the case studies and readings that will launch discussion. (In Sections I and III, introductions will take the form of a brief statements; in Section II, slides will be shown). Discussion will follow for a total of 20 minutes, after which come the final three case studies in the next 15 minutes, using the same combination of verbal and visual presentation. This will leave 40 minutes for a moderated discussion. After addressing specific issues related to the final three presentations, one organizer will initiate the concluding discussion with a set of questions that stress underlying themes or motifs related to women’s space.

Given the number of organizers for our session, we recognize the need to adhere strictly to the format and to coordinate our presentations in advance.


Preliminary List of Readings:
Section I:

Section II:

Section III:


Additional Suggested Readings (on convent architecture and the Council of Trent):