Crossing Borders/Breaking Boundaries 2000:

A Multidisciplinary Institute for Arts Educators

 

 
 

Conflict in the Arts: A Postmodern Approach

Teacher: Evelyn Herschler, Rosa Parks Middle School (contact Evelyn)
Arts Discipline: Theater
Grade Level: Middle School
Team: E
Topic: Considering the Postmodern

Click here to view the lesson plans of other Team E members.

Click here to view the power point presentation created by Team E.

Materials:

  • Large sheets of paper with the word "Conflict" written at the top or in the middle
  • Post-it notes, one for each student
  • CD of Take the A Train by Duke Ellington
  • CD of a rap-style beat without any words
  • 2 CD/Tape players
  • 2 copies of the book, Harlem, by Walter Dean Myers (one for cutting up)
  • Large post/mural created by taking some black and white photos of the Harlem neighborhood and some colored pictures from Walter Dean Myers's Harlem.
  • Tape of the story poem Harlem as read by Puffy Combs (or anyone with a good speaking voice)
  • Typed copy of the story poem Harlem for each student
  • Paper and crayons

Objectives:

  • Students will share their ideas of what the word "conflict" means to them.
  • Students will experience the feelings of conflict by listening to various kinds of music and viewing differing styles of art on the same topic.
  • Students will express their feelings about the multidisciplinary experience by creating their own artwork.
  • Students will learn about the history of Harlem and important figures in Black History while examining the story poem.

Procedure:

  • As students enter the room, hand each one a blank post-it note.
  • When everyone is seated, point out the "Conflict" poster and ask students to write down a word or idea that this poster triggers. Students place their notes on the poster.
  • Discuss what they have written.
  • Then invite students to come to your art gallery for a multi-sensory experience. You may need to explain what an art gallery is, and proper behavior in one.
  • Ask students to line up outside the room. Reveal the poster and start the two different kinds of music. Play the "A Train" as they come in, and have the other tape playing at the other end of your room so they hear it as they leave the exhibit.
  • After students leave the exhibit, discuss their impressions. What they saw, what they heard, what made the biggest impression on them, the juxtaposition of the different styles of pictures, etc.
  • Play the tape of the story poem as you show students the complete book.
  • Hand out the printed version to each student. Go over the poem as if you were teaching it for literary purposes. There are many important names mentioned, many of whom students cannot identify. The poem tells a story of how the Harlem community came to be and how different its inhabitants are. There is a great use of color words as depicted in the pictures.
  • You may wish to go back to the theme of conflict here and ask students if they can identify any forms of conflict they experienced in the art, poem, or music.
  • Hand out paper and crayons. Play the music again (one or both pieces), and have students draw some impressions of their experience of "Harlem."
  • Let students share their pictures. Ask first what others see in the drawing, then let the artists share.

Note: I used this last week with my 6th, 7th, and 8th graders, all of whom are in my remedial reading classes, and it was a revelation. Best of all, the kids loved it.

Harlem: Warm-up
 

Look at the list of words. Write any information you know next to as many

of the words as you can.
 

Georgia:_____________________________________________________
 

Trinidad:_____________________________________________________
 

Ghana:_______________________________________________________
 

Mali:________________________________________________________
 

Senegal:______________________________________________________
 

Jack Johnson:_________________________________________________
 

Joe Louis:_____________________________________________________
 

Sugar Ray:____________________________________________________
 
 
 
 

Sponsored by The Clarice Smith Performing Arts Center, The Center for Renaissance and Baroque Studies, and the Maryland State Department of Education.

 

We welcome your comments and suggestions.
Last updated 25 April 2001