Crossing Borders/Breaking Boundaries 2000:

A Multidisciplinary Institute for Arts Educators

 
 

Identity and the Arts (And All That Jazz*)

Teacher: Mary McCary, Quince Orchard High School (contact Mary)
Arts Discipline: Theater
Grade Level: High School
Team: F
Topic: Jazz & America

Click here to view the lesson plans of other Team F members.

Rationale

Why is this unit worth teaching?

The connections between the arts and identity are important notions for students to explore if they are to understand the human impulse to create art and the personal values of the artistic process. The arts are not separate from the artist. They offer an opportunity to discover and transform who we are. Jazz, America's contribution to music, is a particularly rich vehicle for teaching students about the relationship between artists and identity. A player's art even under the guidance of a composer, this music of spontaneous melodic embellishment is an art form which has developed in the recent past out of African American culture and reflects a sense of group identity. Its distinctive rhythms, scales and modes, harmonic progressions and riffs, and its improvisational elements celebrate the communal need for self-expression and allow the individual performer an opportunity to unmask and explore in order to develop his unique voice.

* Thanks to mentor Dr. Paul Traver for naming our unit
 
 

Unit Plan--Overview

(6-8 lessons)

Big Idea: Identity and the Arts
 

Essential Understandings:

  • The arts allow individuals to express their uniqueness and/or their relationship to others.
  • The arts reflect the artist's identity in his society.
  • Parameters and structure in art can empower an individual, giving him creative freedom.
  • Improvisation challenges traditional notions of the self and offers a tool for collaborative risk-taking.
  • Human beings (and artists) are constantly transforming their identities

Topic: Jazz

Essential Understandings:

  • Jazz grew out of the African-American experience.
  • Despite its different styles and reputation for being free, jazz is highly structured in its melody, chords, rhythm, and form.
  • Improvisation in jazz challenges traditional notions of music and offers a tool for creative development.
     

Discipline: Theatre

Learner Outcomes and Expectations:

· Students will compare the basic elements, principles, materials, and inherent qualities of jazz to dramatic activities.

· Students will demonstrate knowledge of the diversity of theatrical expression, including contemporary styles, and the creative processes from which these endeavors emerge.

· Students will demonstrate the ability to explore the creative process through theatrical activities and to apply theatrical practices to collaborative theatre presentations.
 

Essential Questions:
 

1. How can art help us to discover and express our identity in relation to others?

2. How does art reflect an artist's identity?

3. What is the role of structure in helping us to find our own voice?

4. How can improvisation challenge traditional notions of art and self?
 

Assessment:

What should students understand and be able to do as a result of this unit?

· Students should be able to express their own identity in art.

· Students should be able to give examples of how an artist's identity is reflected in his work.

· Students should be able to create within the structures of art forms.

· Students should be able to use improvisation to energize and focus their self-expression.

· Students should be able to explain why and how art forms change, citing relevant examples from the development of jazz.
 

Big Idea: Identity and the Arts

Essential Understandings:

· Parameters and structure in art can empower an artist, giving him creative freedom.

· Despite its different styles and reputation for being free, jazz is structured.

· Students will demonstrate the ability to explore the creative process and to apply theatrical practices to collaborative theatre activities.
 

Essential Question:

1. What is the role of structure in helping us to find our own voice?
 

Lesson Objective:

· Students will explore the creative process by practicing collaborative, structured improvisation games.
 

Lesson Activities:

After studying the types of jazz and its structures, students will identify other areas of human activity in which structure inspires creativity. Some questions:

--Why have some games such as chess and bridge had an enduring fascination for adults? Is it because of their difficulty and complexity? Is it the challenge that they offer that invites us to play? Do we like the rules to make things difficult for the fun of overcoming them? Do we like to try to juggle many objects at once?
 

--Poetry is supposed to be the most expressive form of all writing, yet its traditional forms are the most highly structured.
 

Students will read the well-known Frost poem "Stopping By Woods on a Snowy Evening." They will discover its form and name the rules Frost followed in writing it. They will explore how the restrictive form led him to the sublime discovery of repeating the last line. Students will discuss the magic of his accomplishment in overcoming all the obstacles and following all the rules, his effort all the while seeming effortless.
 

Students will play some improvisational theatre games that draw upon their creativity within a structure, much as jazz does. The rules and parameters will grow more difficult as we progress.
 

1. Emotional Symphony (a nonverbal performance; it is also a way to get performers to commit themselves physically and emotionally)

2. What am I Doing (a concentration game that invites creativity)

3. What am I Doing II (same game with added difficulty)

4. Foreign Film (a gibberish improvisation)

5. Fractured Fairy Tales (improvs with narratives in altered time)

6. Alphabet Duet (verbal and physical concentration scene)
 

Students will discuss what is enjoyable about improvisation. What makes a good improvisation? To what extent does the difficulty of the game affect the actor's performance and the audience response? What rules should be followed in a theatre classroom practicing improvisation? What can we learn through improvisation?
 

Assessment:

What should students understand and be able to do as a result of this lesson?

Criteria:
Students will be able to identify the relationship between structure and artistic freedom. They will practice theatrical skills, using improvisation within a structure.
 

Evidence:
Students will practice theatrical skills, using improvisation within a structure as a jazz musician does.

   
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Sponsored by The Clarice Smith Performing Arts Center, The Center for Renaissance and Baroque Studies, and the Maryland State Department of Education.

 

We welcome your comments and suggestions.
Last updated 25 April 2001