|
|
Africa
& Its Influence
Teacher:
Lori Pellock, Spring
Ridge Middle School
Arts Discipline: Music
Grade Level: Spring Ridge Middle School
Team: B
Topic: Africa & Its Influence
Click
here to view the lesson plans of other Team B members.
UNIT PLAN--OVERVIEW
Learner
Outcomes and Expectations
Identify
and perform simple examples of monophonic and polyphonic textures.
-
Describe
musical qualities of African and American music.
-
Sing
a simple African melody, adding movements and dynamics.
-
Describe
ways in which African music influenced the development of
an American style.
-
Improvise
rhythms to live or recorded music.
ESSENTIAL
QUESTIONS
-
Where is spirited music heard in African society?
-
Where
is spirited music heard in American society?
-
Within
spirited music and events, how do we find our identity?
ASSESSMENT
CRITERIA:
Students
will be able to:
-
sing
an African song with correct pronunciation and pitches.
-
move
freely and with a steady beat throughout the selected song.
-
discuss
with the class or a partner what events involve music in
African and American society.
-
listen
to a piece of African "spirited" music and identify the
polyphonic texture.
-
find
Ghana on the map.
-
define
the term "spirit" in African and American societies.
MATERIALS
NEEDED:
SET-UP:
-
Power
Point presentation
-
vocabulary
words on the word wall or chalkboard
-
call-response
-
spirit
-
steady
beat
-
"num'
-
improvise
WORD OF
THE DAY -"NUM!"ENERGY"RAISE THE ROOF"
WARM-UP
The teacher
will :
LESSON
ACTIVITIES:
The teacher
will:
-
speak with the students about call-response or "echoing."
-
Ask
if they have ever heard music with call-response such as
GoGo. Play an examples of this in the African and American
cultures.
-
Discuss
how music becomes more spirited through repetition and dance.
More energy increases the "num."
-
Ask students where Ghana is.
-
Stand
and cue the students to stand
-
Begin
stepping with a steady beat in place and then moving clockwise
in a circle. As the "num" increases as students begin stepping
correctly, step louder.
-
Begin
singing the song again while stepping to a steady beat.
-
Ask
the students to improvise movements during the 3rd
phrase only then step with the steady beat again on the
last phrase.
-
Cue
students to step steadily to their seats.******In later
lessons the teacher can add pieces of fun, printed fabrics,
instruments, or props to this song.
-
Discuss
the steady beat versus the spirited improvised movements
that the Africans would add to their celebrations, etc..
This relates to free style rap, GoGo, and jazz which are
genres of music with their roots in jazz. Also improvised
theater.
-
Brainstorm with the students in pairs or as a class about
what the word spirit means to them versus what it means
to people in Africa. Using Venn Diagrams would be a great
way to distinguish connotations of the word spirit in both
cultures.
-
Ask
where they have heard the word spirit before; Oprah perhaps.
-
Show
a clip of spirited African dancing and singing.
-
Ask
students where these spirited musical events take place
in Africa, such as in their weddings, funerals, celebrations,
etc.
-
Play
a piece of polyphonic, African music. Close your eyes!
-
How
did that piece of music make you feel or what did it make
you think of?
-
Say
how music, dance, acting, and storytelling are part of the
African peoples spirits because they are surrounded by it
their entire lives. For example, a baby on his mother's
hips while she is dancing all day.
-
Have
the students tell their partner what they feel is part of
their spirit because of what they have grown-up with,
-
Discus with the students how African people find their identities
with large families of 55 children-------Improvising!!!!!!!
-
Play
a short clip of African music and have the students add
their own improvised "desk or lap drumming." A student with
a neat beat may want to be the caller and have the class
respond. This is spirited music. You can use spirit reading
in class also.
-
Review
the "Pata" song and the terms used in the Power Point presentation.
View Lesson
Plans By: Arts Discipline
| Grade | Team
| Topic
Sponsored
by The
Clarice Smith Performing Arts Center, The
Center for Renaissance and Baroque
Studies, and the Maryland
State Department of Education.
We welcome your comments
and suggestions.
Last updated 25 April 2001
|