Crossing Borders/Breaking Boundaries 2000:

A Multidisciplinary Institute for Arts Educators

 

 

Jazz, the Big Communicator

Teacher: N. Lee Waters, Hereford High School
Arts Discipline: Theater
Grade Level: High School
Team: A
Topic: Jazz & America

Click here to view the lesson plans of other Team A members.

Power Point Presentation

Jazz, the Big Communicator Lesson Overview

Big Idea: Communication

Essential Understandings:

  • Communication requires a form of language.
  • Communication requires a form of sensual exchange.
  • Communication is one of the building blocks of relationships.
  • Communication can yield growth.
  • Communication can build resources through which students make appropriate choices.

Topic: Jazz

Essential Understandings:

  • How does Jazz help students communicate?
  • What is Jazz communication?
  • How does it use music to relate emotions to others?
  • Is there a need for communication this way and why?
  • Can an individual use Jazz communication to build knowledgeable growth within themselves and through society? How?
  • What forms does Jazz communication take?

Introductory Questions for Communication:

  1. Why is communication important?
  2. What are the ways that people communicate?
  3. What effect can communication have on relationships?
  4. Is there a need for communication and why?
  5. How is communication perceived?

Theatre Unit Plan- Overview

Big Idea: The Arts as Communication

Essential Understandings:

  • Communication requires a form of language.
  • Communication requires a form of personal exchange.
  • Communication is an essential building block.
  • Communication can be positive or negative.
  • All communication can yield growth.

Topic: Jazz

Essential Understanding:

  • The development of jazz was both enabled and limited by communication.
  • Jazz is about challenging musical traditions and expectations.
  • Jazz is a result of the influence of significant key musical figures.

Discipline: Theater Arts

Learner Outcomes and Expectations:

  • Students will describe the basic elements, materials, and means of communicating in theater and related art forms.
  • The student will complete the interpretive and expressive qualities of several art forms in a specific culture or historical period.
  • The student will identify and discuss cultural and historical sources of American theater and musical theater.
  • The student will compare the treatment of similar themes in drama from various cultures and historical periods.
  • The student will explain ways in which various disciplines outside the arts are interrelated with theater.
  • The student will rehearse and perform a variety of theatrical activities.
  • The student will determine how dance, music, and the visual arts enhance the expression of ideas and emotions in dramatic activities and construction by exploring and comparing their basic elements, principles, materials, and inherent qualities.
  • The student will demonstrate the understanding that theater requires unity of effort and effect by applying social concepts in ensemble building.
  • The student will demonstrate knowledge of theater performance and production skills in formal and informal presentations.

Essential Questions:
 

  1. Why and how does theater change?
  2. How does communication affect changes to theater?
  3. How do we learn to respond to new forms of theater?

Assessment:

What should students understand and be able to do as a result of this unit?

  • Students should be able to explain the rationale for the type of rhythm, mood, sound, and symbolism used in their improvisational presentation.
  • Students should be able to justify the audience comprehension of their improvisational presentation.
  • Students should have an insight into the concept "that an actor does not create in a vacuum."
     

Theater Lesson 2

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Big Idea - The Arts as Communication

Essential Questions:

  1. Why and how does theater change?
  2. How does communication affect change?
  3. How do we learn to respond to new forms of theater?

Lesson Objectives:

  1. The learner will be able to express what the music feels like through improvisation.
  2. The learner will be able to discuss with others in the class the similarities and feelings expressed in the improvisational presentation.
  3. The learner will be able to explain how improvisation is a form of communication.

Warm Up into Input:

Word for the day: Improvisation- the act of inventing, composing or reciting without preparation.

  1. Students will write down the definition of improvisation.
  2. The teacher will reintroduce a musical piece that was used in Lesson 2 of this unit. Students will be asked to write down their interpretation of the music and chalk drawing that will include the sound, mood and symbols they chose to portray in their improvisational presentation.
  3. Students will brainstorm the theme of their improvisational piece and come to an agreement on overall theme that fits the music and chalk drawing.

Guided Practice:

  1. Students will establish within their groups the basic setting, characters and outcome of their two minute improvisational presentation.
  2. Students will have a five minute period to establish all the parameters set in their original goals.
  3. Students will present in a round robin fashion their improvisations.
  4. After all the presentations, students will critique each others' improvisations to establish if each group has met their goals.
  5. In the discussions the students should include as apart of their discussion the inclusion or lack of the basic elements needed to create communication through improvisation.

Final Closure:

  1. Students will orally summarize the activities of the lesson and what they learned from these activities.

Students will answer the five journal questions and write a paragraph that explains how their improvisation communicates to their fellow students the theme of their presentation.
 
 
Journal Questions

Answer in brief paragraph format:

  1. What type of rhythm (beat) was used in the improvisation and explain why that particular rhythm was chosen?
  2. What type of mood did you try to present in your improvisation?
  3. If you were going to describe your improvisation as a sound, what type of sound would it be and why would you choose that sound?
  4. What type of symbol would best represent your improvisation and why did you select that particular symbol?
  5. Overall, how well do you think the audience understood your improvisational concept, and why do you think you obtained that reaction?

Improvisational Assessment

 

 

Sponsored by The Clarice Smith Performing Arts Center, The Center for Renaissance & Baroque Studies, and the Maryland State Department of Education.

 

We welcome your comments and suggestions.
Last updated 25 April 2001