Crossing Borders/Breaking Boundaries 2000:

A Multidisciplinary Institute for Arts Educators

 

 
 

Conflict in the Arts

Teacher: Kevin Miller
Arts Discipline: Visual Arts
Grade Level: High School
Team: E
Topic: Considering the Postmodern

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UNIT: Conflict in Postmodernism: Destructured, Decentered, Dehumanized!
LESSON: "The Signs of the Time!"
DATE:

TEAM WARM UP: What do you need to know?

  1. Think of all the signage you pass everyday that is confusing; produces double-meanings; says one things and means another; etc.
  2. Observe storefront signage and architectural design/style for similar confusions.

STUDENT OBJECTIVES:

  1. Students will explore and understand that Postmodern principles behind "The Realism of Appearance" (Social and Cultural Reality).
  2. Students will be able to define Postmodernism through "The Dissonant Beauty of Combining Traditional and Nontraditional Postmodern Motifs" (Street Art/Storefront Signage and Architecture).
  3. Students will explore and understand the created confusion of "Postmodern Double Coding" (Producing Multiple Meanings).

ESSENTIAL CURRICULUM

  1. Outcome One: Perceiving and Responding-Aesthetic Education. The student will demonstrate the ability to perceive, interpret, and respond to ideas, experiences, and the environment through the visual arts.
  2. Outcome Two: Historical, Cultural, and Social Contexts. The student will demonstrate an understanding of the visual arts as a basic aspect of history and human experience.
  3. Outcome Three: Creative Expression and Production. The student will demonstrate the ability to organize knowledge and ideas for expression in the production of art.
  4. Outcome Four: Aesthetic Criticism. The student will demonstrate the ability to identify, analyze, and apply criteria for making visual aesthetic judgments.

BACKGROUND: Postmodernism can be explored through the application of Jenck's 10 characteristics of postmodern architecture, especially as applied to the urban scene. (A visual demonstration of each of these characteristics should be created and presented with a handout of the listings.) Guide students to see how architectural elements carry values or references to ideas and cultures. Students should see both the traditional and nontraditional elements ("Rules" and how they can be broken.)

Choosing either a 2-D or 3-D answer, the student will create a postmodern signage/architectural building response that serves both function and communicates its use or concept through drawing, photography, modeling in dimension (sculpture), video and/or computer graphics (software Aldus Illustrator, Macromedia Freehand, 3-D Architecture, others).

Hints: Create a building whose exterior tells the viewer what it is. Specify a list of possibilities such as an eye doctor, art museum, restaurant, pet store, museum of . .. , etc. Projects should be sketches, collage, models, shadow-boxes (facades), computer generated graphics, etc.

Function, communication, culture all play a part in postmodern signage and architecture and have resources available in print, photography, street sculpture and video. Just one excellent video would be The Ad and the Ego (High intensity summary, presentation of major analyses of advertising in contemporary American Culture.)--The California Media Project.

 

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Sponsored by The Clarice Smith Performing Arts Center, The Center for Renaissance and Baroque Studies, and the Maryland State Department of Education.

 

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Last updated 25 April 2001