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CRBS

MSDE

Africa & Its Influences, Jazz & America, and Considering the Postmodern

2000
University of Maryland, College Park


Where are We Going?

Sydney Walker The Ohio State University

Click here to view more presentation materials from Dr. Walker.



Challenge 1

How can this knowledge be translated into classroom practice in a meaningful manner?
 

Challenge 2

How can this knowledge be translated into classroom practice as inquiry rather than recall?
 

Challenge 3

How can this knowledge become the basis for interdisciplinary learning?
 

Challenge 4

How can this knowledge become relevant for students?
 



Challenge 1

How can this knowledge be translated into classroom practice in a meaningful manner?

To design instruction in a meaningful manner, the knowledge which is learned in these two weeks about African arts, jazz, and postmodernism will need a conceptual framework or organizing structure. Without such a structure, the knowledge, while interesting and informative, may become either a rote list or disconnected hodge podge of facts. One possibility for such a framework might be to organize the knowledge around three primary components:

  1. A big idea to give the knowledge focus.
  2. Essential understandings to prioritize the knowledge.
  3. Essential questions to direct inquiry about the knowledge.



A Conceptual framework for Unit Design

Big Idea

Essential
Understandings

Topical Ideas

Essential
Understandings

Discipline Ideas

Learner Outcomes/
Expectations

 

Essential Questions

1.

2.

3.

4.



Example

A Conceptual Framework for Unit Design

Big Idea

Society & the Arts

Topical Idea

Jazz

Discipline Ideas

Responding-Criticism 

Making--Production 

Valuing--Aesthetics 

Understanding in Context--History

Essential Understandings

Traditions 

Boundaries 

Change 

Values/Beliefs 

Transmission

Essential Understandings 

Development 

Cultural Roots 

Inventions 

Barriers

Learner Outcomes/Expectations 

Music--Students will identify the characteristics of musical sound as used in traditional and jazz styles. 

Students will demonstrate an understanding of music as an essential aspect of history and human experience.


Essential Questions

  • Why do artforms and ways of making art stay the same?
  • Why do artforms and ways of making art change?
  • How does society interact with the creation of new artforms?
     
Steps for Constructing a Unit

Step 1: Choose a big idea. Write a rationale.

Step 2: Develop essential understandings for the big idea.

Step 3: Choose a related topic for teaching the big idea.

Step 4: Develop essential understandings for the related topic.

Step 5: Choose appropriate discipline outcomes and expectations.

Step 6: Develop 1-4 essential questions which incorporate the big idea, topic idea, and discipline outcomes and expectations.

Step 7: Develop assessment criteria for the unit.

Step 8: Develop instructional activities, lesson objectives & assessment.
 
 
 

Rationale

Why is this unit worth teaching?

The connections between the arts and society are important notions for students to understand if they are to fully comprehend their meanings, purposes, and continuation. The arts are not separate from society, but are highly dependent upon society and society, in turn, is also impacted by the arts. If students learn about the arts in isolation from their social context, their understandings will be significantly limited. Jazz is a particularly rich vehicle for teaching students about the relationship between society and the arts. It is an artform which has developed in the recent past in their own culture. It clearly demonstrates the impact of tradition, the role of cultural factors such as racism, the consequence of key figures and the role of public opinion in creating a changed artform.
 

Unit Plan--Overview
(6-8 Lessons)

Big Idea: Society and the Arts

Essential Understandings:

  • Cultural traditions play a significant role in the development of new artforms.
  • Society has a considerable impact on the development of new artforms.
  • New artforms must gain some measure of social acceptance to continue and exert influence.
     
Topic: Jazz

Essential Understandings:

  • The development of Jazz was both enabled and limited by social factors.
  • Jazz is about challenging musical traditions and expectations.
  • Jazz is a result of the influence of significant key musical figures.
     
Discipline: Music

Learner Outcomes and Expectations:

  • Students will identify the characteristics of musical sound.
  • Students will demonstrate an understanding of music as an essential aspect of history and human experience.
  • Students will analyze the development of jazz as a new artform.
     
Essential Questions:
  • Why and how do artforms change?
  • How does society affect changes in artforms?
  • How do we learn to respond to new art forms?
     
Assessment:

What should students understand and be able to do as a result of this unit?

  • Students should be able to explain why and how artforms change, citing relevant examples from the development of jazz.
  • Students should be able to compare and contrast the differences between traditional jazz musical forms.
  • Students should be able to argue for or against the role of society in establishing critical opinion about jazz.
     
 
Lesson 1

Big Idea: Society and the Arts

Essential Understandings:

  • Cultural traditions play a significant role in the development of new artforms (Big Idea)
  • Jazz is about challenging musical traditions and expectations. (Topical Idea)
  • Students will identify the characteristics of musical sound. (Discipline Outcome)
     
Essential Question:
  • How do artforms change?
     
Lesson Objective:
  • Students will explain what makes jazz composition different from traditional musical form.
     
Lesson Activities:

Students will listen to jazz and traditional compositions for significant similarities and differences. In small groups students will create a visual representation of the similarities and differences between jazz and a more traditional musical form. Each group will present their representation to the class.
 

Assessment:

What should students understand and be able to do as a result of this lesson?

Criteria: Students will be able to identify significant similarities and differences in jazz and traditional compositions.
 

Evidence: Students will create a visual representation of the similarities and differences between jazz and traditional musical compositions.  Students will compare their visual representation with another group's.
 
 

Lesson 2:

Big Idea: Society and the Arts

Essential Understandings:

  • Cultural traditions play a significant role in the development of new artforms. (Big Idea)
  • The development of jazz was both enabled and limited by social factors (Topical Idea)
  • Students will demonstrate an understanding of music as an essential aspect of history and human experience (Discipline Outcome)
  • Students will analyze the development of jazz as a new artform (Discipline Expectation)
     
Essential Questions:
  • Why and how do artforms change?
  • How does society affect change in artforms?
     
Lesson Objectives:
  • Students will identify and explain significant cultural factors that enabled and limited the development of jazz in America.
  • Students will identify and explain why certain persons were key factors in the development of jazz in America.
     
Lesson Activities:

As a large group, students will generate a list of possibilities for why jazz developed as a new artform in America during the twenties, thirties, and forties. Based upon this list, students will generate questions to research for understanding why jazz developed as it did in American culture. In small groups, students will write and perform a 15 minute skit which involves a specific social conflict associated with the development of jazz in America, incorporates the use of jazz and traditional musical forms, and reveals the role of a key jazz figure.

Assessment:

What should students understand and be able to do as a result of this lesson?

Criteria: Students will be able to understand how specific cultural factors and key individuals enabled and limited the development of jazz in America.

Evidence: Students will compare their understandings of why jazz developed in America with their initial speculations.

 

Sponsored by The Clarice Smith Performing Arts Center, The Center for Renaissance and Baroque Studies, and the Maryland State Department of Education.

   
We welcome your comments and suggestions
The Center for Renaissance & Baroque Studies
0139 Taliaferro Hall
The University of Maryland
College Park, Maryland 20742
301-405-6830
Last updated March 13, 2007